Joanna Lumley on fame, Ab Fab and life in the Swinging Sixties

In our exclusive interview, the national treasure discusses filming Absolutely Fabulous in Knightsbridge, using her fame for good and that smooch with Leonardo DiCaprio

Joanna Lumley on fame, Ab Fab and life in the Swinging Sixties
  • Corrie Bond-French

  • Nov 12, 2026

  • People

If A were for Absolutely Fabulous and Avengers, B were for Bond girl, C were for Coronation Street and D were for documentarian (and dame), and Who Am I? were a quiz challenge for the population of the entire British Isles, it’s probable that 99 per cent of us would have our fingers on the buzzer midway through A.

 

And as tempting as it might be for E to be Eddie (Edina) on an Ab Fab loop, quizmasters of the universe might simply choose “extraordinary”. Because, as she now sails into her ninth decade with the same joie de vivre, warmth and intrepid spirit that has kept us happily bobbing along in her wake since the 1960s, Dame Joanna Lumley has set the blueprint for how to become a national institution.

 

Yes, those cheekbones may be the greatest calcium deposits since the white cliffs of Dover. Her inimitable voice is legendary – that precise, silver-chinked elegance of a teaspoon against fine china, every consonant clipped like sugar tongs. But it is the award-laden career trajectory, which has included iconic acting roles (Patsy, Purdey, Sapphire, Felicity et al) alongside presenting, activism and charitable work, that has ensured her essential place as part of our British cultural identity.

 

This year Joanna celebrated her 80th birthday and 40th wedding anniversary with her husband (she was in Argentina for the occasion, filming her 18th travel documentary) and this Christmas she will once again grace our screens in the hit comedy Amandaland.

Closer to home, in early December she will return to Belgravia to headline the 25th annual Candlelit Christmas Concert at St Peter’s Church in Eaton Square as a longstanding patron of charity Kids for Kids. Of course, Belgravia and Knightsbridge are familiar stomping grounds and Joanna has wonderful memories of filming scenes for sitcom Absolutely Fabulous with Jennifer Saunders.

“That fashion show in Harvey Nics is a bit of a blur now,” she says. “I remember Jennifer as Edina shouting at the models, me as Patsy showing Naomi Campbell how to walk the runway, the fabulous Mary Portas and dazzling fashion editors applauding wildly. “It was a day fixed in heavenly aspic. Knightsbridge has changed a bit, but the world changes. It is still a mecca for shopping and dreaming.”

It all started here in the swinging 60s, when Joanna trained at the Lucie Clayton modelling school before working as a house model for Jean Muir in Albert Mansions, Kensington (just behind the Royal Albert Hall). “Miss Muir, as we all called her, was a mentor,” says Joanna. “Immaculate, a perfectionist, demanding and extraordinarily kind – and rather terrifying. I adored her and at the back of my mind, even now, I try to look as good as Miss Muir would have wished me to be.

“Elegance and style ruled. You never advertised your clothes or accessories with the brand name as that was considered irredeemably vulgar. Leisurewear didn’t really exist, nor trainers and tracksuits and throwaway fashion. We never exercised but were as thin as gnats. We never ate junk food – there was none – and we spoke on the phone maybe once a day. We saved up for things and treasured them; false eyelashes were expensive, so as a model I would carefully wash them every night and roll them round a pencil to dry.” 

Was 1960s London really as vibrant as its reputation? “Swinging London was certainly a phenomenal time to be alive and be part of this fabulous city. We were all much poorer, shared more, laughed more, worked frantically hard and were strangely much less self-obsessed with our looks. We loved looking different, whereas today’s goal seems to be to appear almost identical. The music and fashion and art and theatre made London the first city of culture, effortlessly, for one brief shining decade. The past is another country now.”

Born in India to an army family, Joanna was sent to boarding school in Kent as a child. “My parents were hugely influential on my way of thinking,” she says. “Be brave! Don’t give up, don’t sulk, help whenever you can, tell the truth, be kind, read as much as possible, ask questions, be polite.”

Joanna in On Her Majesty's Secret Service, 1969. Image: Wikimedia
Joanna in On Her Majesty's Secret Service, 1969. Image: Wikimedia

Those early experiences, she tells me, set an example. “I loved, and also hated, the packing and leaving during an army life; moving every two or three years, long journeys by troopships across the world. It has instilled in me an endless desire to travel. My sister and I were taught to love a place as soon as we arrived, made to feel everywhere was home, and the world was full of glorious languages, climates and people with different ways of life.” 

She considers travelling to be a gift and a privilege. She has made documentaries around the world, from the Caribbean to Japan, India and the Silk Road. “The greatest privilege has been meeting people from all walks of life across the world: beggars and oligarchs, princes and peasants, nuns and prostitutes. There is a common humanity which unites us and the poorer people are, the more generous they tend to be. I don’t know why this is, but it’s true. The enduring lesson is respect, courtesy and take off your dark glasses when you talk to people.”

She is also a firm believer that fame should be put to good use. She is a supporter and patron of several charities, including the international wildlife charity Born Free Foundation. Perhaps most famously, she was the face of the Gurkha justice campaign in 2008 (her father was in the 6th Gurkha rifles) that fought to give Nepalese Gurkhas who had retired before 1997 the right to settle in the UK. It culminated with a march on Downing Street.

“It’s odd at the beginning, because you realise too late that you will never not be recognised. ‘Aren’t you thingy from that show?’ But use it to help others; fame attracts attention to causes which might otherwise be kicked into the long grass or overlooked. Be kind and smile and no one troubles you.” 

She’s even helpful with the camera angles. “I make them hold the camera high up when they want a selfie to get a more flattering angle. Men are the worst, holding their mobile phones just above their knees.” And Joanna has, of course, been starstruck herself. “Meeting the late queen. Everyone says it and it’s true. Pretty close was Dirk Bogarde.” Memories of her famous scene with Leonardo DiCaprio in The Wolf of Wall Street still linger too. “Oh Leo, Leo! Kissy-kissy kisses! He was just divine, and as sweet a man as you could hope to meet, besides being a mega-superstar of supreme talent and goodness.”

Charity work can also be as humbling as it is rewarding. “I remember a young mother in Eritrea, not long after the war had ended. I was filming a piece for Comic Relief and it was a tough shoot, very spartan. But this woman’s life was heartbreaking. She had lost her husband and brother in the conflict and lived in a flimsy hut above an arid canyon with her two little boys. I gave her a dressmaking set, with scissors and needles, thread and thimbles, buttons and ribbons. She held it respectfully in her hands as though it were a diamond necklace and then said quietly that she had nothing to give me, but when I returned she would have made me an apron. I never did go back, but I shall never forget her.

“Quite often very small charities, like Kids for Kids, punch far above their weight because there is almost no distance between the problem and the solution: by which I mean things can be sorted out far quicker without having to crawl through endless board meetings and consultations. Every pound is spent carefully, and overheads are very small. The downside is that they often struggle to keep their heads above water, which is why I try to help as much as I can.”

She says that if there were a soundtrack to her life, it would be “the sound of birds singing and the wind blowing through the trees”. And as for the hereafter? She is reassuring in that inimitable Lumley way. “I think we rehearse for death every night when we go to sleep, a lovely rest, the big sleep – and who knows what dreams or realities we shall encounter. But it will be fine.”

Joanna is no navel gazer. She insists she is as shallow as a puddle. “The world is so full of fascination for me that there is no time to look inwards and, anyway, I know myself inside out. I have been here, being me, all my life.”

The Kids for Kids Candlelit Christmas Concert takes place at St Peter’s Church, Eaton Square, on December 3 at 7pm. Tickets cost £39, children £18. Email contact@kidsforkids.org.uk; kidsforkids.org.uk 

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